Curious about digital photography?

Though digital photography has come a long way, beginning photographers must still maintain control of the shots they intend to take. For example, focusing and clarity can be sensed automatically by most digital cameras, but that doesn't necessarily make the picture a good one. Therefore, choosing the right camera, one which allows you to control intensity, contrast and lighting, is not a choice to make sparingly. Most often, people review cameras and pick their own personal favorite, and while the advice may be helpful to others, it is not necessarily for everyone. First, your needs must determine the type of camera you will buy. Do you prefer to have a smaller camera that can be carried around in your pocket, or would you rather a full-size camera which is carried in a bag? The choice is up to the buyer, and should be thought about carefully before making a decision.

During photography's entire history, the amateur and the professional have represented distinct and often contrary approaches to photography, each battling for supremacy. Has the digital revolution tilted the field of battle irrevocably in the amateur's favour? Or has it swept this traditional rivalry into the dustbin? Can anyone say? For the 19th-century practitioner, photography was fraught with personal and technical adversity. The darkroom environment was equally challenging: space was constrained, and in smaller field tents the photographer had to kneel or lie down to work. Ventilation was poor or non-existent, and lightproofing faulty. Digital photography is starting to become accessible to the average consumer. Camera prices are falling and image quality is improving. Compared to conventional 35-mm photography, there is no film or processing costs, and results are immediately viewable so a re-shoot can be made quickly if needed. Plus there are more and more applications where digital images are more convenient and cost effective.

White balance (WB) is the process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo. Proper camera white balance has to take into account the "color temperature" of a light source, which refers to the relative warmth or coolness of white light. Our eyes are very good at judging what is white under different light sources, however digital cameras often have great difficulty with auto white balance (AWB). An incorrect WB can create unsightly blue, orange, or even green color casts, which are unrealistic and particularly damaging to portraits. Performing WB in traditional film photography requires attaching a different cast-removing filter for each lighting condition, whereas with digital this is no longer required. Understanding digital white balance can help you avoid color casts created by your camera's AWB, thereby improving your photos under a wider range of lighting conditions. A digital camera's auto white balance is often more effective when the photo contains at least one white or bright colorless element. Of course, do not try to change your composition to include a colorless object, but just be aware that its absence may cause problems with the auto white balance.

Action photographs are quite popular, though they are difficult to take properly. Speed is essential to taking clear pictures for indoor sports and activities. The shutter speed is crucial, for if it is too slow you will lose the picture, as the movement will have continued past the shot you wanted. The results can be erratic, so the highest quality won't be assured. Make sure when taking pictures of indoor sports that your camera is on a setting with a fast shutter, such as rapid fire mode.

JPEG is a format that makes changes to your photograph, such as adding lighting specifications or white balance. This is usually the best thing to save your picture as, because the results are generally satisfactory and the computer is smart about interpreting the data. However, sometimes you may want to take the raw photograph, which is the picture that has nothing added to it such as light specifications, and edit it yourself. You should do this if you are unsatisfied with the picture taken by the camera, as it is easier than trying to edit a JPEG image. In general, JPEG images are not as detailed as raw images which makes editing them difficult.

Redeye is a common occurrence in photographs. It occurs most often at night, because the pupils dilate to let in more light. When this happens, the flash of the camera reflects to the very back of the retina, creating redeye. Many cameras have settings to compensate, flashing a red light into the eye before taking the picture in order for the pupils to contract. However, if it is too dark, this setting won't make much of a difference. There are several ways to account for this, one of which is having the subject of the photograph look away from the lens. If there is still a problem, most photo editing programs have red-eye removal.

Good photos result from the following elements: always having your camera with you; being in the frame of mind that you THINK about taking pictures when a good opportunity presents itself; experience in knowing what the camera can do and can't do, such as how to adjust your camera to compensate for poor lighting conditions or anything else that doesn't happen to be just right;have patience; taking lots and lots and lots of photos-- the average professional photographer takes around 120 shots for every ONE that he/she actually uses and gets paid for; and finally, luck.

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