Stained Glass: Painting and Workshop Safety

With stained glass, you will want to start with your design on paper. Make sure there is some definition to your design and that the differently colored areas are outlined in a darker color. You may tape your design to the bottom of your glass so that it will remain in place during painting. Begin painting the dark outlines of your design with a tracer or rigger (long brush with a slender point). You will want your trace paint to be dark enough to block out light and provide contrast with your lighter colors. You must apply the outlines in long, smooth, continuous strokes. Do not try to "go over" your lines once they have dried (which does not take long!).

Painting on stained glass is done to add humanistic details of the face, hands, feet, or shading of the body and hair. Painting reduces the amount of cutting and leading of many tiny pieces of stained glass. Painting enhances the beauty, textures, and color that are already in the stained glass.

If you do you will cause the paint to bubble and separate (fry) when the glass is fired in the kiln. You should not touch the line at all once it has been painted, although you may correct some mistakes and overages by gently scraping the paint off with a toothpick AFTER it has dried completely. Next, your stained glass trace paint is fired in the kiln at approximately 1150? F.

Stained glass paint is a high-fired permanent paint which actually has glass (called the vehicle) in it. Stained glass paint also contains lead and has coloring agents like sand, alumina, clay, red or white lead oxide, boric acid, potassium and sodium. The lead in the stained glass paint refracts light. The matt (paint) can be applied, taken out in the tracing, fired, and then applied again, depending on the lighting, detail, and textures you want to achieve in your stained glass painting.

Your skill and technique in painting stained glass will improve over time, as with any new endeavor. Be patient and allow yourself to enjoy the process. Painting stained glass can be a rewarding hobby and with a little practice you may even create a masterpiece someday!

Your workshop safety tips

When carrying sheets of stained glass, wear gloves that help you have a good grip on the glass. The gloves should protect your hands from cuts from the razor sharp edges of the stained glass. Grip the glass on each side. Carrying it with one hand on top and one on bottom creates a hazard that the glass could snap in two. If you grip from each side and the sheet of stained glass breaks, you have a better chance of letting the glass slip away from you without being cut.

Never use a glass grinder without protecting your eyes. Glass particles can fly up into your eyes and cause terrible pain and may permanently damage your eyes. Most glass grinders are equipped with face shields or face shields can be purchased separately.

When leading the stained glass pieces, wear gloves to protect you from exposure to lead poisoning. If you have cuts on your hands, cover them with band-aids. Pay careful attention to your hot soldering iron. Don't look away and reach for your iron. You might grasp the wrong end of the iron . . . the end that is several hundred degrees hot!

Don't take safety precautions for granted. So what ever you do, do it with care, do it safe and you will enjoy the rewards.

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